With Silence Scorsese makes his biggest stylistic jump, trading the excessive and aggressive nature of The Wolf of Wall Street for a master class in mediation and restraint. Silence is a lesson in cinematography, narrative structure, acting, thematic exploration and when viewed as a cohesive whole creates a film that will leave the viewer silent, contemplating the timeless questions that Scorsese beautifully conveys. Below are six reasons why Silence is indeed the best Scorsese film since Goodfellas. Rather Silence comes across as an objective description on Catholicism.
It's not Scorsese, it's you. Written on the occasion of Goodfellas' 25th anniversary.
InNew Yorker television critic Emily Nussbaum posited a provocative but necessary theory on the joyless rise of the "bad fan," i. If these "bad fans" had their way, Breaking Bad would be comprised entirely of Bryan Cranston taking names and threatening competitors in huskily menacing whisper, The Sopranos would be nothing more than grisly offings and Bada Bing!
This bluntly "badass" form of idolatry has threatened to scrub out the warts-and-all subtleties of these prodigious shows, diminishing these landmark one-hour classics to empty, reflex exercises in machismo.
That notorious scene — played straight but frequently misinterpreted as comedy — can be found on YouTubewith a hotbed of top comments that each grossly summarize typical "bad fan" reactions: And that's why men rule the world.
Of all genres, it is the gangster drama that most often attracts hero-worship of this troublingly hardline variety. Moviegoers have revered the gangster archetype since the dawn of Hollywood: Robinson could be a legitimate leading man so long as the role was a snarling heavy and Bogart was still playing the B-movie hood, an unsavory image he never entirely shed and which was indelibly emulated and further solidified by Jean-Paul Belmondo in Breathless.
But Goodfellas is also the Scorsese masterpiece whose enduring pop cultural legacy leaves me the most frustrated, as many of its loudest fans continue to regard it as something like a pure comic diversion, which it occasionally is, but often connotatively so, as in that brilliantly sick non-sequential opening sequence, which acquires deeper, darker, and sharper significance once we catch up to it within the chronological frame of the film.
What could be more desirous to the standard male viewer than a glitzy-gritty vision of virile power involving guns, gals, and an endless cascade of cash, unencumbered by care or consequence? This is Bad Fan Behavior And between Taxi Driver and The Last Temptation of Christ, Scorsese has infamously seen his share of director-shaming misinterpretations.
Scorsese is, quite simply, far too talented and too intelligent a filmmaker to have made the movie Goodfellas is labeled as. In his eyes and in the eyes of those searching for more than just compulsive entertainment, which Scorsese provides in spades, Goodfellas is — in its most basic form — a gutsy and rigorous immersion into the life of a desperate, cantankerous man who continually goes to great and often dangerous means to achieve his all-consuming desire of money, power, and glory, which is a narrative that could be applied to any number of American movies, from Citizen Kane to Birdman.
In many ways, Henry is the prototypical Goodfellas bad fan.
From there, Scorsese and co-writer Nicholas Pileggi are ultimately less interested in creating heroes than in deconstructing Henry and his friends. And Liotta gets saddled with what has to be one of the most pathetic sights in cinema history, as Henry and Karen shrilly sob on their bedroom floor after the latter throws out some leftover cocaine that was their only source of profit.
Underneath the polished photography and jukebox palette of Goodfellas, lies a penetrating critique of the extremes of estrangement, chauvinism, cruelty, criminality, erotomania, and regression that certain communities, cultures, and countries will allow their men as they ceaselessly chase after their own selfish desires.
Then again, maybe they aren't oblivious at all to the movie's permeating message.Through the two hour forty-one minute run time Silence proves to be Martin Scorsese’s best film since his crime film Goodfellas.
With Silence Scorsese makes his biggest stylistic jump, trading the excessive and aggressive nature of The Wolf of Wall Street () for a . That is just one of the memorable things about this movie.
Goodfellas is a well-known film directed by Martin Scorsese. The few who have not watched are truly missing out on a great movie.
It is among the best crime movies ever created by Martin Scorsese. Goodfellas is known to be a great film because it is not like the typical mob movie.
Study Guide for Goodfellas.
Goodfellas study guide contains a biography of Martin Scorsese, literature essays, quiz questions, major themes, characters, and a full summary and analysis. Martin Scorsese remains one of the most interesting directors in film history. He has long since been lauded as one of the true great auteurs and cinematic geniuses of modern times yet commercial success has often eluded him.
American film director, producer, and actor Martin Scorsese has been developing award winning films for over 50 years.
Specifically, the production of Goodfellas, Gangs of New York, and Wolf of Wall Street exemplify his expertise through cinematography, acting, and style.
This can certainly be said for Martin Scorsese, arguably the greatest director of all time. While staying true to his own unique style, Scorsese has branched out into just about every genre of film. His movies such as GoodFellas, Casino, and The Departed have all set a standard of.